章节目录
Introduction Chapter 1 Woman as Writers in the Song Dynasty Courtesans as Poets Literati Women as Poets Poets of Repute Chapter 2 Writing and Struggle for Acceptance Li Qingzhao on Reading and Writing The Early Critics on Li Qingzhao Li Qingzhao's Shi Poetry and the Masculine Mode "On Song Lyrics" Chapter 3 Song Lyrics Preliminaries The Authenticity Question The Autobiographical Reading Problem Why Are Women Poets Read That Way? Why Did Zhao Mingcheng Not Send Letters Home to Li Qingzhao? Chapter 4 Widowhood, Remarriage, Divorce Fleeing the Jurchen and the Death of Zhao Mingcheng Remarriage and Divorce Larger Issues Chapter 5 Writings from the Aftermath Poems Addressed to Emissaries Writings on Capture the Horse Chapter 6 The "Afterword" Looking beyond the Text Other Aims and Considerations Chapter 7 The Beginnings of "Li Qingzhao": Reception during the Southern Song and Yuan The Misery of Her Later Years Devotion to Zhao Mingcheng Stories in the Unofficial Biography The Epitome of the Lonely Woman In Early Anthologies Chapter 8 Saving the Widow, Denying the Remarriage: Reception during the Ming and Qing The Ming-Qing Rise of Women's Writing The Iconic Woman Poet Wang Shizhen's Matching Song Lyrics The Multitalented Woman, "Genuine" Words The Remarriage of Widows, Yuan through Qing Moral Condemnation of Li Qingzhao Disbelief and Exasperation Denying the Remarriage The Reconstituted Li Qingzhao in the Late Qing Chapter 9 Modernism, Revisionism, Feminism: Reception in Modern Times May Forth Period Histories of Chinese Literature The Remarriage Controversy, 1957-2010 The Concubine or Other Woman Question Chapter 10 Song Lyrics, Part I Rewriting Earlier Lines The Outdoors A Peculiar Mood Women in Song Lyrics by Male Writers Chapter 11 Song Lyrics, Part2 Songs of Flirtatiousness Other Late Attributions Contours of Affection and Preconceptions Conclusion
内容简介
widely considered the pre-eminent Chinese woman poet, Li Qingzhao(1084-1150s) occupies a crucial place in China's literary and cultural history. One of the ways she is significant is as the great exception to the rule that the first-rank poets in pre-modern China were male. But at what price to our understanding of her as a writer does this distinction come? This book challenges conventional modes of thinking about Li Qingzhao as a devoted but often lonely wife and, later, a forlorn widow. By examining manipulations of her image by the critical tradition in later imperial times and into the twentieth century, Ronald Egan brings to light the ways in which critics sought to accommodate her to cultural norms, molding her "talent" to make it compatible with ideals of womanly conduct ad identity. Contested images of her, including a heated controversy concerning her remarriage and its implications for her "devotion" to her first husband, reveal the difficulty literary culture has had in coping with this woman of extraordinary conduct and ability. The study ends with a reappraisal of Li Qingzhao's poetry, freed from the autobiographical and reductive readings that have traditionally been imposed on it and are standard even today.
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