In 1982, having sold his jazz bar to devote himself to writing, Murakami began running to keep fit. A year later, he’d completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a dozen critically acclaimed books, he reflects upon the influence the sport has had on his life and—even more important—on his writing. Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and takes us to places ranging from Tokyo’s Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him. Through this marvelous lens of sport emerges a panorama of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs, and the experience, after fifty, of seeing his race times improve and then fall back. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is rich and revelatory, both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in running.

With 274 authors, the Eighth Edition deepens its representation of essential works in all genres, ranging from Seamas Heaney's award-winning translation of Beowulf, Milton's Paradise Lost, and More's Utopia to the great poets and prose writers of the nineteenth century—Blake and Austen, Wordsworth and Byron, Tennyson and Barrett Browning—to twentieth-century classics of a truly global English literature—Conrad's Heart of Darkness, Woolf's A Room of One's Own, Achebe's Things Fall Apart, and Friel's Translations, to name but a few. Color plates—over 75 in all—and thematic clusters of brief and historically significant texts bring to life the cultural concerns of each period. Concise glosses and annotations, period introductions, biographical headnotes, timelines, and selected bibliographies help readers understand and enjoy the rich diversity of English literature.

这是一本薄薄的小书。首版于1918年由纽约一家出版社出版。作者William Strunk,康耐尔大学英语教授，E.B.怀特对此书加以了修正。此书短小精悍，容量巨大。涵盖了母语英语的人写作和用法上常出的错误，也清晰地解释了一些语法书中很难找到的语言现象。虽然是为说英语的学生所写,但对于任何需要进一步了解英文用法，进而学习书写英文的人，这本书必不可少的。

Hidden in the heart of the old city of Barcelona is the cemetery of lost books , a labyrinthine library of obscure and forgotten titles that have long gone out of print. To this library, a man brings his 10-year-old son Daniel one cold morning in 1945. Daniel is allowed to choose one book from the shelves and pulls out La Sombra del Viento by Julian Carax. But as he grows up, several people seem inordinately interested in his find. Then, one night, as he is wandering the old streets once more, Daniel is approached by a figure who reminds him of a character from La Sombra del Viento, a character who turns out to be the devil. This man is tracking down every last copy of Carax s work in order to burn them. What begins as a case of literary curiosity turns into a race to find out the truth behind the life and death of Julian Carax and to save those he left behind. A page-turning exploration of obsession in literature and love, and the places that obsession can lead.

From the dark heart of a Victorian prison, disgraced spiritualist Selina Dawes weaves an enigmatic spell. Is she a fraud, or a prodigy? By the time it all begins to matter, you'll find yourself desperately wanting to believe in magic.

On the verge of giving up--anchored to dreams that never came true and to people who have long since disappeared from their lives--Van Booy's characters walk the streets of these stark and beautiful stories until chance meetings with strangers force them to face responsibility for lives they thought had continued on without them.

Rebecca Bloomwood just hit rock bottom. But she's never looked better.... Becky Bloomwood has a fabulous flat in London's trendiest neighborhood, a troupe of glamorous socialite friends, and a closet brimming with the season's must-haves. The only trouble is that she can't actually afford it—not any of it. Her job writing at Successful Savings not only bores her to tears, it doesn't pay much at all. And lately Becky's been chased by dismal letters from Visa and the Endwich Bank—letters with large red sums she can't bear to read—and they're getting ever harder to ignore. She tries cutting back; she even tries making more money. But none of her efforts succeeds. Becky's only consolation is to buy herself something ... just a little something.... Finally a story arises that Becky actually cares about, and her front-page article catalyzes a chain of events that will transform her life—and the lives of those around her—forever. Sophie Kinsella has brilliantly tapped into our collective consumer conscience to deliver a novel of our times—and a heroine who grows stronger every time she weakens. Becky Bloomwood's hilarious schemes to pay back her debts are as endearing as they are desperate. Her "confessions" are the perfect pick-me-up when life is hanging in the (bank) balance. From the Trade Paperback edition.

Lawrence's finest, most mature novel initially met with disgust and incomprehension. In the love affairs of two sisters, Ursula with Rupert, and Gudrun with Gerald, critics could only see a sorry tale of sexual depravity and philosophical obscurity. Women in Love is, however, a profound response to a whole cultural crisis. The 'progress' of the modern industrialised world had led to the carnage of the First World War. What, then, did it mean to call ourselves 'human'? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? And how might they be otherwise? Without directly referring to the war, Women in Love explores these questions with restless energy. As a sequel to The Rainbow, the novel develops experimental techniques which made Lawrence one of the most important writers of the Modernist movement.

In 1922, F Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple, intricately patterned". That extraordinary, beautiful, intricately patterned and, above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther... And one fine morning--" Gatsby's rise to glory and eventual fall from grace be comes a kind of cautionary tale about the American Dream. It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties and waits for her to appear. When s he does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbour Nick Carraway acting as chorus throughout. Spare, elegantly plotted and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem. Perry Freeman, Amazon.com

This is the definitive, textually accurate edition of a classic of twentieth-century literature, The Great Gatsby. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan has been acclaimed by generations of readers. But the first edition contained a number of errors resulting from Fitzgerald's extensive revisions and a rushed production schedule. Subsequent printings introduced further departures from the author's words. This edition, based on the Cambridge critical text, restores all the language of Fitzgerald's masterpiece. Drawing on the manuscript and surviving proofs of the novel, along with Fitzgerald's later revisions and corrections, this is the authorized text -- The Great Gatsby as Fitzgerald intended it.

Stuart Little is no ordinary mouse. Born to a family of humans he lives in New York City with his parents, his older brother George and Snowball the cat. Though he's shy and thoughtful, he's an adventurous and heroic little mouse. His daring escapades include racing a toy boat in a Central Park pond, retrieving his mother's ring from a drain, and crawling inside a piano to fix the keys for his brother. When his best friend, a beautiful little bird called Margalo disappears from her nest, Stuart is determined to track her down. He ventures away from home for the very first time in his life and finds himself embroiled in one exciting adventure after another, making new friends and meeting old ones along the way.

There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.' Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.

《书虫•牛津英汉双语读物:潘德尔的巫师(1级)(适合初1、初2年级)》曾获第七届上海市中小学生优秀图书二等奖。17世纪的时候，英格兰有许多人相信巫术。巫师可能是一个老太婆，或是一个年轻女子——有时甚至会是一个成年男子或小男孩。不过，巫师通常都是女人。人们都害怕巫师，因为巫师仅凭一句诅咒就能使人丧命。 1612年，在兰开夏郡的潘德尔山附近住着一个名叫詹妮特•迪瓦斯的小女孩。那时她刚9岁，因家里穷时常饿肚子，长得很瘦弱。她缺衣少鞋，有时一连几天吃不上饭。生活对于她来说十分艰难。 詹妮特的外祖母老德姆代克是一个巫师。她的母亲伊丽莎白和她的姐姐艾丽森也都是巫师。就连她可怜兮兮、傻头傻脑的哥哥詹姆斯也是巫师……不管怎样，村民们是这样认为的。 《书虫•牛津英汉双语读物:潘德尔的巫师(1级)(适合初1、初2年级)》以女主人公詹妮特的口吻来讲述她一家人的故事。故事从1634年讲起，当时詹妮特被关押在兰开斯特城堡监狱里……

你是一名不错的侦探，是吗？如果是的话，那你得比活尔什探长先找出凶手。活尔什探长是名警探，他工作虽说慢了点，可十分细心。你是位“快手”吗？ 侦探是干什么的呢？侦探就是寻找线索。一条线索就是告诉你谁是凶手的重要的或细小的事物。发现线索不容易，但本故事中有许多线索。有些线索有用——它们能帮助你。可有些线索却不利——它们妨碍你找到凶手。你得仔细点读，否则你会错过线索。 但请记住：你不必相信人们说的每件事。凶手显然会撒谎，可能其他人因不同的理由也会撒谎。也各市地他们希望某人死去。但是谁希望呢？谁杀的？你能找出凶手吗？

This is a new edition of the famous Dahl story of Charlie Bucket and his Golden Ticket, and Willy Wonka and his amazing chocolate factory. It features a great new Quentin Blake cover as well as a whole new exciting end section about Roald Dahl and his world. 点击链接进入中文版： 查理和巧克力工厂

在线阅读本书 The astonishing, uplifting story of a real-life Indiana Jones and his humanitarian campaign to use education to combat terrorism in the Talibans backyard Anyone who despairs of the individuals power to change lives has to read the story of Greg Mortenson, a homeless mountaineer who, following a 1993 climb of Pakistans treacherous K2, was inspired by a chance encounter with impoverished mountain villagers and promised to build them a school. Over the next decade he built fifty-five schoolsespecially for girlsthat offer a balanced education in one of the most isolated and dangerous regions on earth. As it chronicles Mortensons quest, which has brought him into conflict with both enraged Islamists and uncomprehending Americans, Three Cups of Tea combines adventure with a celebration of the humanitarian spirit.

《麦克白》是莎士比亚四大悲剧的最后一个。此剧描写11世纪苏格兰贵族英雄麦克白权欲野心逐步膨胀，在女巫预言提示和妻子怂恿之下，谋杀国王实行篡位。由于猜忌和恐惧，他的罪行越来越多，众叛亲离，最后被战败枭首。本剧情节复杂，语言精采，特别对主要人物的心理变化描写深刻、生动，产生动人心魄的效果。注释详尽确切，读此原著，远胜阅读译文。

绿山墙的安妮（英文全本），ISBN：9787510018732，作者：（加）露西·蒙哥马利 著