《六朝音乐文化研究》内容简介：就六朝的具体情况而言，东吴与东晋、南朝的外部对立力量有所不同。东吴与魏、汉三分天下，是汉末军阀混战的结果，因此东吴是分裂割据政权之一，但根本的文化命脉并未发生危机。东晋、南朝，则与五胡十六国及北朝相对峙。面对北方游牧部族蹂躏毁灭的巨大压力，被迫退守江南以求偏安的东晋，名义上是晋朝的延续，衣冠礼乐多取晋朝，以此体现政治文化的连续性。在少数族人占中原、北方各族持续冲突混融的特殊历史条件下，南朝能够同北朝抗衡对峙，江南遂成为汉文化保存发展的重要地区。华夏文化命脉，得以较完整保存延续于江南，在南方发扬光大，并回流影响北方，这在中华文化史上极其重要。与江左文艺出现的繁荣盛况相比，北方十六国文风衰竭，可谓文化沙漠，百余年间既无卓著之文人，也无可称述之作品。北朝时期，北方少数族政权逐渐走向封建化，北魏孝文帝等大力推进改制和汉化。除依靠永嘉乱后留存北方的部分士族大姓所保留的汉晋文化外，更重要的就是吸收和利用南方文化的北传，北方文艺才呈现上升之势。尽管历史不宜假设，但若没有东晋的偏安和南朝的存在，没有它们与北方各族政权的抗衡对峙，就没有华夏文化正统在南方的保存维系和回流北方，世界四大古老文明之一的中华文明，很有可能在这一危难时刻被倾覆，与其他古老文明～样遭遇灭顶之灾而严重断绝！ 另一方面，割据江南的东吴，偏安江左的东晋、南朝，也吸收、发展了南方自古以来的荆楚、吴越等文化遗产。南亚东来的佛教文化，以及各种渠道传来的东亚、中亚、西亚的外来文化，在这里与华夏传统文化发生冲撞和交融。在北方民族文化大混融之际，促使南方在经济文化方面的发展水平也超过北方地区，最终促成华夏文化“正统”的确立。 从音乐文化上讲，作为“九代之遗声”的清商乐，既代表着汉魏西晋等历朝宝贵的音乐遗产，又融合《西曲》、《吴歌》等南方音乐，对后世影响深远，被隋唐尊为“华夏正声”，成为隋唐文化繁荣的重要基础和主干成分之一。因此，尽管六朝音乐文化富有地方特色，南方各朝的艺术创造也丰富、发展了华夏优秀传统，但严格地讲，六朝的音乐艺术不仅仅是一种地方性的音乐文化，也不仅仅是南方六朝文化成果的体现。

World Music draws readers into a remarkable range of historical encounters, in which music had the power to evoke the exotic and to give voice to the voiceless. In the course of the volume's eight chapters the reader witnesses music's involvement in the modern world, but also the individual moments and particular histories that are crucial to an understanding of music's diversity. This book is wide-ranging in its geographical scope, yet individual chapters provide in-depth treatments of selected music cultures and regional music histories. The book frequently zooms in on repertoires and musicians--such as Bob Marley, Dana International, Bartok, and Nusrat Fateh Ali Khan--and attempts to account for world music's growing presence and popularity at the beginning of the twenty-first century.

In this classic guide, the foremost Wagner expert of our century discusses ten of Wagner's most beloved operas, illuminates their key themes and the myths and literary sources behind the librettos, and demonstrates how the composer's style changed from work to work. Acclaimed as the most complete and intellectually satisfying analysis of the Wagner operas, the book has met with unreserved enthusiasm from specialist and casual music lover alike. Here, available for the first time in a single paperback volume, is the perfect companion for listening to, or attending, The Flying Dutchman, Tannhuser, Lohengrin, Tristan and Isolde, Die Meistersinger, the four operas of the Ring Cycle, and Parsifal. Newman enriches his treatment of the stories, texts, and music of the operas with biographical and historical materials from the store of knowledge that he acquired while completing his numerous books on Wagner, including the magisterial Life of Richard Wagner. The text of The Wagner Operas is filled with hundreds of musical examples from the scores, and all the important leitmotifs and their interrelationships are made clear in Newman's lucid prose. "This is as fine an introduction as any ever written about a major composer's masterpieces. Newman outlines with unfailing clarity and astuteness each opera's dramatic sources, and he takes the student through the completed opera, step by step, with all manner of incidental insight along the way."--Robert Bailey, New York University

詮釋記憶、描繪歲月，一般人會怎麼做？可能是收藏一段日記文字，一手隨筆塗鴉，或是一張圖、一片明信片、一本書，當然，也可能可以是──用聲音，用音樂，來為自己的青春在茫茫的時空洪流中尋找座標與定位。 聲音與音樂或許是抽象的、無形的、捉摸不透的，然而李志銘發現，音樂也可以是一具精密的相機鏡頭，攝入栩栩如生、美好又深刻的人生畫面。他傾聽那些黑膠細柔地吞吐出的歌聲，像是火車上的旅客一樣觀望著窗外，看到自己的童年、青春以及時代如水流動，卻又幕幕鮮明。所謂往事再現，即意味著回想起自己曾經熟悉、如今卻再也看不到的地方。他這才意識到，人類對於時間是永不滿足的，唯有不斷追尋聲音的再現，方能找回一種歸屬，或在心中重塑那個屬於自己的年代。於是他透過一張又一張的黑膠、穿過一波又一波的樂音來紀錄生命，並愛著這段追逐、溯訪的過程。 每個人都可以擁有一部自己的尋聲記，用聲音來尋訪自己的記憶，重遇自己的青春，更可以觸摸自己曾擦身而過的時代。

From Mozart’s fabulous legato that “flowed like oil” to Beethoven’s oceanlike surge, from Clara Schumann’s touch “sharp as a pencil sketch” to Rubinstein’s volcanic and sensual playing, The Great Pianists brings to life the brilliant, stylish, and sometimes eccentric personalities, methods, and technical peculiarities of history’s greatest pianists. Pulitzer Prize–winning critic and author Harold C. Schonberg presents vivid accounts of the artists’ performances, styles, and even their personal lives and quirky characteristics— such as Mozart’s intense competition with Clementi, Lizst’s magnetic effect on women (when he played, ladies flung their jewels on stage), and Gottschalk’s persistent nailbiting, which left the keys covered with blood. Including profiles of Horowitz and Van Cliburn, among others, and chapters detailing the playing and careers of such modern pianists as de Larrocha, Ashkenazy, Gilels, Gould, Brendel, Bolet, Gutierrez, and Watts, The Great Pianists is a comprehensive and fascinating look at legendary performers past and present.

Julian Cope, eccentric and visionary rock musician, hip archaeologist and one time frontman of Teardrop Explodes, follows the runaway underground success of his book "Krautrocksampler" with "Japrocksampler", a cult deconstruction of Japanese rock music. "Japrocksampler" reveals what really happened when East met West after World War Two and the mayhem that ensued and is a must for anybody interested in modern music and Japanese culture. It explores the clash between traditional, conservative Japanese values and the wild rock 'n' roll renegades of the 1960s and 70s and tells the tale of the seminal artists in Japanese post-war culture, from itinerant art-house poets to violent refusenik rock groups with a penchant for plane hijacking. The book concludes with enticing reviews of Julian's Top 50 Jap Rock albums.

http://www.ideafried.com/ 聯合推薦聶永真（資深唱片設計人）謝典銘（誠品音樂） 第一本日本音樂視覺設計書，全書圖像由日本直接授權 首批限量隨書加贈獨家【椎名林檎東京事變】海報，數量有限，送完為止。 30位日本知名CD設計人＋MTV導演，132件難得一見的精彩作品從椎名林檎到東京事變的CD封面，都是由誰設計？是誰創造了Mr. Children的MTV視覺風格？屎爛幫奇特搞怪的MTV都來自哪些導演的創意？日本流行音樂視覺文化的風格豐富而多元，有如椎名林檎／東京事變的奇異華麗，亦有如木村KAELA的可愛搖滾；可以有Mr. Children的詩意氣質，亦可以有MONKEY MAJIK的趣味搞怪……《日本流行音樂視覺設計》介紹30位日本當代知名的唱片設計人與PV（MTV）導演、超過100件設計／影像作品。透過每一張CD的設計，每一部PV（MTV）的影像呈現，帶領讀者探索設計者／導演的靈感微思，了解日本音樂視覺文化的深層意念與獨特語彙。 本書介紹的30位日本當代音樂設計人與PV（MTV）導演，他們的創意主導了日本流行音樂視覺文化的風格，具有極重要的影響力與地位。 CD設計師木村豊．信藤三雄．永戶鐵也．兵田武士．古賀鈴鳴．關口修男．伊藤桂司 ENLIGHTENMENT．Giottographica PV（MTV）導演丹下紘希．島田大介．?川幸一郎 Caviar（中村剛．兒玉裕一．田中裕介） MAZRI（番場秀一．中井泰太郎．岡崎邦彥．高城明久） THE DIRECTORS GUILD（柴田大輔．細野西貝晃．小島淳平．芳賀薰） P.I.C.S.（西郡勳．池田一真．橋本大佑．木津裕史．井上卓．喜田夏記．志賀匠） 椎名林檎×木村豊．木村KAELA×Giottographica MISIA×信藤三雄．Mr. Children×丹下紘希 YUKI×中村剛．QURULI×古賀鈴鳴 BoA×關口修男．Chara×島田大介一青窈×ENLIGHTENMENT．BONNIE PINK×伊藤桂司

这是一群头顶艺术神光，游走在神经正常和非正常之间的另类。音乐俘获了他们，滋养抚育了他们，同时也给他们中一些人带来厄运甚至毁灭。这些缪斯女神派往人间的“特使”，一方面，他们天才的头脑超越时空，另一方面，他们大多又是些“怪人”，音乐的理性和人性的非理性一面，常让人惊诧不已。 但是，有一点可以肯定，怪异及另类的性格本身就是艺术的一部分。从人性和宽容的角度来看，评判那些艺术领域里出类拔萃以及最具影响力的人物的价值标准，是在音乐厅里的表现以及对这个世界的贡献。因为，完美的明星从来就是商家人造的雕像。这个世界，太完美的东西，本身就是不完美。

想要不假思索按出常用和弦？下定決心搞懂烏克麗麗指板地圖？ 華人世界第一套專為「入門 → 進階」玩家而寫的烏克麗麗中文教材終於誕生！（展現烏克麗麗特性．發揮四弦優勢的輕鬆自學法） 布里茲Breeze精心設計的烏克麗麗自學教室，帶您輕鬆掌握： [1]　和弦魔法──圖表簡明易懂，無痛苦跨越基本樂理，以創新法則奠定和弦概念，直覺按出Major、Minor及屬七和弦。 [2]　指板導航──更進一步按照圖表公式，推導出進階和弦、音階分布，徹底拋棄死背硬記，大步邁向ukulele solo之路。

「古典音樂」這個行業是個什麼樣的世界？從事「古典音樂」這樣工作的人又是如何的呢？日本世界級的交響樂作曲家吉松隆打破大眾對古典音樂這一行美好的憧憬和想像，藉由生動活潑的吉松式幽默敘述古典音樂這一行不為人知的一面。 聽起來充滿音樂藝術氣質，高不可攀的古典樂作曲家，其實是無固定收入，而且不被一般社會所認同的怪異職業。財富常常與這一行無緣，收入不穩定有如打工一族，生前默默無名，死後出名本人卻早已享受不到則是常有的事。吉松隆以毫不保留的態度讓大家認識，古典樂作曲家實際上就是這麼一個令人跌破眼鏡的心酸行業。 除此之外，音樂界的指揮家、樂團首席、樂評，這些聽起來高尚風雅的職業，實際上又是如何的呢？演奏時看起來虎虎生風的演奏家，其實只是夾在作曲家與演奏者之間尷尬的「中間管理職」；首席則是樂團的隊長，帶領團員配合（反抗？）指揮家的角色；而樂評則是世上莫名其妙的職業之一，講起來也只是出一張嘴的不負責任評論家罷了。 從認識作曲家開始，藉著詼諧的筆調以及四格漫畫，吉松隆帶領讀者一步步認識音樂學的關鍵名詞、演奏家、古典音樂界種種意想不到、難以想像的趣味風貌，打破一般人的刻板印象，見識真正的古典音樂這一行。

Following the success of “Sleeves of Desire”, a second publication is now being devoted to the cover art of the label ECM, Edition of Contemporary Music, focusing above all on sleeve design from 1996 to the present. Since its founding in 1969, ECM has been dedicated primarily to jazz and contemporary classical music and is a leading international label in both these fields. ECM has also received acclaim for its unique cover designs, which have always been an integral part of its productions. Over the years, the collaboration between Manfred Eicher, the label’s founder and producer, and designers including Barbara Wojirsch, Dieter Rehm and Sascha Kleis has produced an aesthetic of the cover that initiates a dialogue between the photographic image and the music. The search for a cover motif from a storehouse of possible images is presented in a few examples that shed light on how these visual worlds are created and trace their significance for the music. An illustrated catalog of all of ECM’s releases completes this publication. With contributions by Geoff Andrew, Ketil Bjørnstad, Katharina Epprecht, Lars Müller and Thomas Steinfeld Design: Integral Lars Müller

A talented violinist as well as a painter, Klee drew much of the inspiration for his abstract art from musical rhythms and structure. Like a composer, he developed and harmonized pictorial themes, weaving a complex series of signs and symbols into his painting. In this book, the art historian Hajo Duechting focuses his study primarily on Klee's decade-long tenure at the Bauhaus, where the artist's theories and practice first merged, and where he was to develop his Colour Spectrum, Square and Polyphone painting series. Illustrated throughout with full-colour reproductions of Klee's paintings and etchings, as well as entries from his diaries, this study aims to shed light on an important aspect of Klee's work, while providing insights into his development as an abstract artist.

In a series of powerful strokes, the music of Beethoven's last years redefined his legacy and enlarged the realm of experience accessible to the creative imagination. Maynard Solomon's "Late Beethoven" investigates the phenomenon of the final phase, focusing especially on the striking metamorphosis in Beethoven's system of beliefs that began early in his fifth decade and eventually amounted to a sweeping realignment of his views of nature, antiquity, divinity, and human purpose. Using the composer's letters, diaries, and conversation books, Solomon traces Beethoven's attraction to a constellation of heterogeneous ideas, drawn from Romanticism, Freemasonry, comparative religion, Eastern initiatory ritual, Mediterranean mythology, aesthetics, and classical and contemporary thought. Through these often arcane sources, Beethoven gained access to a vast reservoir of imagery and ideas with the potential to expand music's expressive and communicative reach. This 'multitude of productive images,' writes Solomon, 'provided kindling for the blaze of his imagination.' "Late Beethoven" is a rich tapestry of original perspectives on Beethoven's music. Solomon sees the Seventh Symphony as a deployment of the rhythms of antiquity in an effort to revalidate the premises of the Classical world; the Ninth as an essay on the prospects and limits of affirmative, monumental endings; and the 'Diabelli' Variations as a doorway to the universe of metaphoric significances that attach to beginnings. In the Violin Sonata in G, op. 96, Solomon finds a restoration of the full range of pastoral experience that the ancient poets had known. In the Grosse Fuge he locates issues of fragmentation and reassembly, and he suggests that pivotal passages of the last sonatas evoke sacred states of being. These stimulating perspectives illuminate the inner world within which Beethoven dwelled during his last fifteen years and the ways in which his thought and music may be interrelated. Written in accessible and eloquent prose, and with numerous music examples, "Late Beethoven" is a serious contribution to understanding this miraculous quantum leap in Beethoven's creative evolution.

《音乐考古》是“20世纪中国文物考古发现与研究” 丛书的一种。该丛书由国家文物局组织出版，是世纪性总结中国文物考古经验与成果的大型著作。 音乐考古学在国际上尚是一门较新的学科，除作者前著《中国音乐考古学》之外，国际国内均罕有该学科系统的基础理论著作发表。所以《音乐考古》的出版，具有学科奠基的意义。作者主持《中国音乐文物大系》编撰工作历时16年，考察文物的足迹遍及大半个中国，积累了大量的资料和研究心得，为本书的撰写打下了坚实的基础。 本书较为系统地论证了音乐考古学学科的基础理论问题；如学科的基本概念，学科的定位，学科的研究对象，研究方法，学科发展史，等等。并较为系统地阐述了中国各个历史时期的音乐考古发现和研究成果，如实揭示了中国音乐文化的源远流长和丰富多采。 该书的出版，深受中国音乐史学、音乐考古学和广大文史教学和科研工作者的重视和欢迎。 目录 前言 一 音乐考古学 (一)音乐考古学小史 1．音乐考古学 2．音乐考古学的先驱 (二)音乐考古学方法研究 1．音乐文物分类法 2．音乐学断代法 3．音乐测音法 4．音乐文物命名法 二 音乐考古的重大发现 (一)舞阳贾湖骨笛 1．贾湖遗址和舞阳骨笛 2．舞阳骨笛的学术意义 (二)曾侯乙墓音乐文物 1．曾侯乙墓的发掘 2．曾侯乙编钟 3．曾侯乙墓编磬及其他乐器 4．曾侯乙墓音乐文物的学术意义 (三)洛庄汉墓乐器 1．洛庄汉墓乐器的出土 2．洛庄乐器的学术意义 三 出土乐器的分类研究 (一)陶制、石制乐器 1．史前乐器概述 2．陶制乐器 3．石制乐器 (二)青铜乐器 1．青铜乐器概述 2．早期的青铜乐器 3．周代乐钟 4．军旅和宴享乐器 (三)丝竹乐器 1．丝弦乐器 2．吹管乐器 四 音乐图像的分类研究 (一)墓葬和佛教音乐图像 1．墓葬中的乐舞画像 2．佛教音乐图像 3．乐舞俑 (二)乐舞饰绘和书谱 1．岩画和绘画 2．器皿饰绘 3．音乐书谱 五 音乐考古的收获和展望 (一)音乐考古的收获 1．《中国音乐文物大系》 2．《中国上古出土乐器综论》 (二)音乐考古的展望 参考文献 文摘 （一）音乐考古学小史 1.音乐考古学 考古学是根据古代人类活动遗留下来的实物史料研究人类古代情况的一门科学，它是历史科学的一个部门。音乐考古学则是根据与古代音乐艺术有关的实物史料研究音乐历史的科学，是音乐史的一个部门。音乐史属艺术史，也是历史科学的一个专门分支。 比起一般考古学来，音乐考古学有其鲜明的特殊性。这一特殊性主要体现在其研究对象上。以美术考古为例，美术考古研究的对象直接就是人类所创造的美术作品本身，如绘画、雕塑作品等。而音乐考古的对象却不可能是音乐作品本身。其一，音乐艺术是音响的艺术，其以声波为传播媒介，表演停止，声波即刻平息，音乐也不复存在。其二，音乐又是时问的艺术，真正的音乐只能存在于表演的刹那间，古代的音乐作品只能存在于表演当时的瞬间。作为音乐考古学家永远无法以看不见、摸不着的某种特定的声波为研究对象，也无法将早已逝去的历史上的音响为其直接研究对象。一些古代的乐谱也许记载了某些音乐作品，但这种以某种符号系统来记录作为音响的音乐作品的手段是苍白无力的。

《音乐自学丛书·作曲卷》共10册，系一套供读者自学作曲技术理论的基础教程，内容包括基本乐理、和声学、曲式学、复调音乐、配器法、歌曲写作、音乐分析等音乐院校开设的主要课程，既有一定的理论深度，又通俗易读。除作为电视大学音乐专业理论作曲学科的教材外，亦可作为音乐院校和音乐师范院校师生的辅导教材和必备参考书。 这就是由陈国权主编的《歌曲写作教程(修订版)/音乐自学丛书》。

For fifteen years, All You Need to Know About the Music Business has been universally regarded as the definitive, essential guide to the music industry. Now in its sixth edition, it has been completely revised and updated with crucial, up-to-the-minute information on the industry's major changes in response to today's rapid technological advances and uncertain economy. Veteran music lawyer Donald Passman is in the thick of this transformation and understands that anyone involved in the music business is feeling the deep, far-reaching effects of it. This latest edition of what the Los Angeles Times called "the industry bible" will lead novices and experts alike through the fundamental practices as well as the new, uncharted territory of one of this country's most dynamic industries. In the music business, the key to success lies in knowing how to protect yourself. To do that, you need the best and most up-to-date advice available. Whether you are -- or aspire to be -- a performer, writer, or executive, Passman's comprehensive guide to the legal and financial aspects of the music world is an indispensable tool. Drawing on his unique professional experience as one of the most trusted advisors in the industry, Passman offers authoritative information on how to:

Select and hire a winning team of advisors -- personal and business managers, agents, and attorneys -- and structure their commissions, percentages, and fees in a way that will protect you and maximize these relationships Master the big picture and the finer points of record deals Navigate the ins and outs of songwriting, music publishing, and copyrights Maximize concert, touring, and merchandising deals This latest edition also includes information on:
Music downloads, webcasting, streaming-on-demand, and podcasting The new video streaming services How royalties are computed in the digital age The latest developments in deals with independent labels, including upstream deals Updates on all the traditional industry matters, such as royalties, advances, video budgets, and copyright law In All You Need to Know About the Music Business, one of the industry's most influential figures shows you how to thrive in the most exciting business in the world. It's a book that no musician, entertainment lawyer, agent, promoter, publisher, manager, record company executive -- anyone who makes their living from music -- can afford to be without.